Committed to Falling

Gabhann Dunne
Committed to Falling

The James O'Driscoll Gallery
29 February to 4 April 2020 (extended until reopening due to Covid-19) - see our online platforms for access

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Join us for a walkthrough of both galleries in the video below, filmed by Tomasz Madajczak.

Gabhann Dunne's painting installation comprises almost one hundred small oil paintings of migratory birds that are known to visit Ireland, accompanied by a new series of panels depicting extinct or non native but naturalised plant species found in West Cork.

This exhibition will include a Discovery Box. Artist Sarah Ruttle has been commission to create this Discovery Box in response to the work in the exhibition. Find out more about Discovery Box here

Gabhann creates eclectic narratives to show how Ireland’s wildlife and human inhabitants have dealt with previous climate change and how we are responding to the climate challenges we are now facing. In the past, hyenas roamed Munster but in the future, water will be diverted from the Shannon to be consumed by millions of citizens in the greater Dublin area – an undertaking with profound implications for the environment and Irish culture. Gabhann says “the commodifying of a resource like the Shannon with all its natural and historical associations was the starting point for reflection on changes wrought by the journeying on water and the migration of wildlife and what they tell us about their identity”.

May you never see the corncrake again!’ (Nár fheice tú an traonach arís) was once a way of wishing someone bad luck or worse, since you were hoping they wouldn’t live to see another summer. The imprecation implies a culture familiar with the corncrake and its distinctive call, and perhaps, more significantly, with the knowledge that it was a summer visitor. Once common throughout Ireland, the corncrake is now almost extinct due to human and climatic factors that stretch from here to its wintering habitats in Africa and the migration routes in between.

Gabhann reflects on changes wrought by the movement of water and the migration of wildlife and what they have to tell us about our identity. He uses colour and gesture to evoke the vulnerability and energy of his subject and asks the viewer to think on issues of emigration, migration, absence and our changing climate.

The artist believes all of these ideas can be mediated through painting without resorting to conceptual conceits. “Gabhann Dunne’s work does not deal in conceptual irony,” Seán Kissane, curator of exhibitions at IMMA, has written, “he is a story-teller and his narratives are those of nature and the world around us. In this he can be compared to Scottish Canadian artist Peter Doig, who demonstrates a similar preoccupation with nature in his painting. Doig, like Dunne, works in a style that straddles figuration and abstraction but he said of his practice, ‘All painting is conceptual. Every painting is an idea. Conceptual art just removes the pleasure of looking – colour and beauty, things like that’. Despite the tragic themes underlying much of Dunne’s [work] he revels in these ‘pleasures of looking’.”

From Co. Kildare and now living in Dublin, Gabhann Dunne is a former winner of the RDS Taylor Art Award and the Hennessy Craig Scholarship at the Royal Hibernian Academy. He studied Fine Art Painting at the Dublin Institute of Technology and at NCAD, Dublin. His recent shows include When the wolves own the island, Molesworth Gallery, Dublin (2019); Crossing the Salt, Limerick City Gallery (2018); In the Presence of Birds (2017) and The Flower’s Pilgrim (2015) at the Molesworth Gallery, Dublin, and Magenta Honey at The Lab, Dublin (2015). He was described by Cristín Leach – writing in The Sunday Times in May, 2015 – as ‘one of the best Irish painters of his generation’.

gabhanndunne.ie

Gabhann Dunne's work celebrates an endangered world. That's "very important and informs all the stories behind the work". He hopes viewers will take away feelings of "empathy and responsibility". 
https://www.independent.ie/entertainment/theatre-arts/what-lies-beneath-morrigans-bee-by-gabhann-dunne-38832362.html

https://www.irishtimes.com/life-and-style/people/ideas-take-flight-gabhann-dunne-on-his-new-art-show-1.3597203

https://www.thetimes.co.uk/article/flights-of-fantasy-and-foreboding-gabhann-dunnes-the-discovery-of-europe-kgtxlfqsf

https://www.irishartsreview.com/spellbound/

 

 

Artist Gabhann Dunne discusses Crossing the Salt, an installation of over 100 small oil paintings of migratory birds that are known to visit Ireland.

Artist Gabhann Dunne discusses West Cork Flora, a new series of oil paintings depicting extinct or non-native, but naturalised, plant species found in West Cork

 

WCAC acknowledges the financial support of the Arts Council and Cork County Council

 
Images:Gabhann Dunne, Corn Chamomile, 20cm x 15 cm, 2019.
Gabhann Dunne, Winter Heliotrope, 20 cm x 15 cm, 2019
Gabhann Dunne, Andrena Humilis, Andrena Fuscipes.
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